I absolutely adore your plugins. VulfCompressor is my favourite compressor by far and I used it extensively on my sounds to the recent Wolfenstein games. PanPot sits on almost every channel and is the best way I’ve found to quickly dial in a space for anything. Faraday is my new favourite goodie that sits on the mixbuss and it does all sorts of snappy things that really bring a groove to life. I love it all!!!

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

I am currently using both Vulf Compressor and Wow on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd.

The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

Goodhertz is giving engineers tools they need in the modern age. There’s so much character built into these plugins. Vulf Compressor is amazing at warming up really cold, digital feeling recordings. I can’t count how many times Goodhertz has saved me.