The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.

Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes.

I absolutely love my options while using Goodhertz plugins. I love adding some grit to a sample using Lossy and Wow Control to give it some serious character. Goodhertz gives me every color in the coloring box.

You’ve created something really great here. I’m really a geek when it comes to certain things, like music, but not when it comes to technical stuff, even if I produce a lot of music. There must be a lot of engineering hours behind everything Goodhertz, but the result for a tech failure such as myself is something that feels musical. I’ve tried most of the plugins now, and they really inspire me in the same way an old worn out guitar or bashed out drums does. I can make music with them, rather than make mixes, and that is how I like to work with this sort of stuff.