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Testimonials

On the outside it may look like a Volvo, but under the hood it’s a monster truck!!

Michael Brauer

Multi-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney)

I am currently using both Vulf Compressor and Wow on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd.

The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp

CanOpener takes a great pair of headphones and makes them translate to speakers even better by introducing a little bit of crossfeed. What I like about Goodhertz take on this type of utility is they don’t introduce any type of correction or IR room simulation which has never worked for me.

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