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Testimonials

I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick

As a producer & mixer, I naturally lean toward destruction while still being very much in touch with the sonic infrastructure of what is at hand. Goodhertz plug-ins are the dream paint to my any canvas. They drip from everything I create…be it a big fat mess or a tight tidy corner. I just can’t stop reaching for them. every single color quenches my thirst for art. Get them all.

Justin Raisen

Miya Folick, Kim Gordon, Angel Olsen

These Goodhertz plug-ins are amazing! I wish I found these earlier in my career to use in my mixing and creative audio processes. The Lossy and the Wow control effects are great for adding a special touch to elements in the mix, and the Midside plug-in is amazing for adding width to all sorts of sounds. Bravo on the creation of these effects Goodhertz. Highly recommend!!

Justin Merrill

Two time Grammy-winning engineer

OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.

Tchad Blake

Multi-Grammy winning mix engineer (U2, Sheryl Crow, Peter Gabriel, Elvis Costello, The Black Keys, Cibo Matto)

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