Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Wow control sounds better than my ✲actual✲ tape machine (or the other 10 hardware pedals I have that emulate warble/tape effects for that matter).

I use Goodhertz plugins on every mix that I do. Lohi is my go-to filter, Vulf Compressor lives on my drum buss in varying amounts of wet/dry, and Wow Control and Lossy are instant vibe enhancers on so many sounds. I’m constantly finding new ways to use this stuff- like recently I automated Trem Control on a lead vocal to give it some tempo synced bounce and it really brought it to life. The GUI’s are beautiful and intuitive, and the way every plugin is some hybrid of eq/dynamics/tone gives them all such great utility. Truly can’t say enough good things.

OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.