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Testimonials
Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.
Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess
CanOpener takes a great pair of headphones and makes them translate to speakers even better by introducing a little bit of crossfeed. What I like about Goodhertz take on this type of utility is they don’t introduce any type of correction or IR room simulation which has never worked for me.
Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.
Musician & Co-Founder of Leaving Records
these plugins are instant sonic palette extenders. I’m finding inspiration in the most unexpected places, especially when cueing up Tupe and Megaverb. wow!
hand habits, yes/and
The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!