OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

You’ve created something really great here. I’m really a geek when it comes to certain things, like music, but not when it comes to technical stuff, even if I produce a lot of music. There must be a lot of engineering hours behind everything Goodhertz, but the result for a tech failure such as myself is something that feels musical. I’ve tried most of the plugins now, and they really inspire me in the same way an old worn out guitar or bashed out drums does. I can make music with them, rather than make mixes, and that is how I like to work with this sort of stuff.

On the outside it may look like a Volvo, but under the hood it’s a monster truck!!