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Testimonials
I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.
Tenet, Black Panther, The Mandalorian, Creed II, Childish Gambino, St. Vincent
Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.
Musician & Co-Founder of Leaving Records
I absolutely love these plugins. They’re so fun and musical to work with. I’m using them right this moment on this mix that will be the next release and there’s nothing like them. Easy to use and sounds like how it sounds in my brain.
The Tallest Man on Earth
Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.
AKA Botany, Austin producer
On the outside it may look like a Volvo, but under the hood it’s a monster truck!!
Multi-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney)