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Testimonials

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

Ingmar Carlson

Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer

Goodhertz is giving engineers tools they need in the modern age. There’s so much character built into these plugins. Vulf Compressor is amazing at warming up really cold, digital feeling recordings. I can’t count how many times Goodhertz has saved me.

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp

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